Thursday, 30 January 2014

iPad Apps for Children with Downs Syndrome



It was only fairly recently that I discovered the striking statistic that all children with Down syndrome have a visual impairment. I know that many I work with wear glasses. I also am aware that frequently they have no focusing ability so they wear bifocals. 

I am grateful to Beverley Dean for the info in todays post. In 2011 she founded Special iApps for their son who has Down syndrome because they found it extremely hard to find suitable apps for him. So she and her husband made their own. This is an over-view of some of them and where you can get them.

Special Words:  allows you to do picture-word matching activities, where you can also create your own word lists from your own photos and entering text and audio

Special Stories: We use this daily for home-school communication, it can also be used for instruction - sequences, social stories and topic work to support curriculum.

Special Numbers: is number ordering and counting skills up to 20, all activities can be configured in the settings to suit the child's level.

The Touch-apps are simple cause and effect apps that support those at the early stage. 28 word, 20 numbers, 12 shapes, 12 colours, and emotions which is free.

All our apps (with the exception of Special Numbers) are available for Apple and Android devices and are switch accessible. Special Numbers in not switch accessible and only available for Apple. 

Please refer to our website, as there is full user documentation and videos on each app http://www.specialiapps.co.uk/en_gb/apps.html

Please read the Durham iPad report

We are currently working on new apps, so to keep in touch we are on Facebook, Twitter, Pinterest and have an email subscription http://www.specialiapps.co.uk/en_gb/contact.html


Friday, 24 January 2014

iPad Use and Apps for Visually Impaired Children


It is a great privilege for me to work with young adults who are at the start of their careers; some of these are highly qualified and skilled. They work in schools for a while to gain experience and then move on - and rightly so - to a higher and better paid career. They bring with them invaluable skills to their task of working with young visually impaired children. Josh is such a person and I asked him to share a little of his experiences hoping they will be of benefit to others. 

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Working as a learning support assistant with a visually impaired child, I’ve found the most helpful tool on an iPad is by far the ability to zoom in on text and images without loss of quality or contrast. It is a simple tool that both Colin (not the actual name)  and I can use with ease and it drastically improves his ability to see books, worksheets and other learning resources.

For Braille the best app I have encountered so far is BraillePad. BraillePad replicates a traditional brailler with bright keys and a realistic sound when you braille a letter. It is a good size for a five year old’s hands although it is missing the space bar, which creates confusion when it comes to finger placement. Being considerably easier to use than a real brailler it allows Colin to reach the keys that spell out his name, which is important to him.

The Adobe Reader App is great for reading e-books as PDFs. It’s quick, easy to use and doesn’t have adverts like other PDF readers on the Appstore.

Letter School is an app used to practice handwriting and letter shapes. The colour and contrast on this app is perfect for Colin’s needs. The large graphics and interactive feel is very stimulating for him and makes this type of work enjoyable and effective. Particularly the light show sequence it produces when writing the letter ‘A’. This is a great app for all primary school children but it is especially appropriate for the young visually impaired child.

I am realizing more and more the importance of sound effects on apps for visually impaired children. Just a simple sound that signals positive feedback seems to make a world of difference when getting Colin to do his work. This may be the case for all young children but in the case of Colin the use of this other sense when working makes the lesson all the more interesting.

Josh Whettingsteel,Westminster, London

Wednesday, 22 January 2014

Advice on adapting worksheets for a visually impaired Year 1 pupil


When a visually impaired child enters formal schooling there is much to consider. First it is important to understand the child's eye condition. Then it is vital to appreciate the impact of that condition on a child's learning. I work with teachers and learning support assistants giving advice on how to modify and adapt their learning materials. I thought it would be helpful here to summarise some of that advice  for others who are interested. This is what this post is about. 

Contrast on Handwriting sheet
Enhance or increase the contrast in all parts of a sheet.
Where the pupil has to trace make sure the tracing letters are significantly darker than the background and that the pupil can clearly/easily see what he has to trace. He can go over the letters in the dark coloured pen that he uses. If the letter-lines are faint the pupil will struggle to see what he has to trace.

Guidelines
Make sure there are ALWAYS dark bold guidelines for the pupil to write between on all pars of the worksheet where he has to write otherwise his letters may become too large and untidy.

Instructions, title & date
Instructions, titles and the date should be made bigger - about 24 point. He should be able to read texts on a worksheet without resorting to his magnifier.

Yellow paper
YELLOW paper is a good colour to use; alternatively use off-white. Pure white can be too reflective and may cause a difficulty for a child who is light sensitive.

Spelling
Increase the character spacing between letters. Otherwise the pupil may have difficulty distinguishing between two similar letters or distinguishing individual letters in a word. For a child with nystagmus spelling is always a major issue because of this. Whole words have a pattern and can be read/recognized more easily than each individual letter in the word.

Highlighting
Key words or items of grammar should be highlighted for emphasis (e.g. ‘s’ in plurals). Use one of the following depending on what is appropriate:
-       bold type
-       black marker
-       coloured highlighter
-       different coloured felt pens

Size of worksheet
The larger the page the more difficult it is for VI pupils to scan; the smaller the page the better. A4 is the standard size for the UK; it is best to keep the pupil’s worksheets the same size as the other pupils. It reduces his sense of being different. If an A4 sheet is enlarged to A3 ideally it should be cut down in some way. Here are some suggestions:
-       Cut off wide borders
-       Cut the sheet in two or three.  
-       Reduce the information on the sheet. If it is a grid or table with up to 20 rows in a column cut down the number of rows to 10. Probably the information can be put into 10 rows and the remaining 10 be unnecessary.
-       Reduce the task; it is good practice when differentiating work for a VI child to reduce the work they have to complete. Have 8 sums instead of 10, 6 spellings instead of 8 and so on. Because they are slower at scanning they may likely finish later than their peers. This in turn can affect their self-image and give a false impression of their true ability.

Extra Box for multiple-choice answers
Sometimes in a sheet the answers are in a box at the top of the page.  If the pupil has this box copied he can match it while he is scanning the text for the answer. This should speed up his working.

Speed and short-term memory
A visually impaired pupil’s scanning of a page can slow him down. Find creative ways of helping him to speed up.
-       Put his finger on his answer so he can quickly find it again
-       Use a notepad to jot his answer down

Handwriting
A VI child often writes quite large in order to be able to read his writing back. It is sometimes necessary to assist the child to write a little smaller and neater. Here are some suggestions to facilitate this:
-       Ruled guidelines for handwriting on all worksheets even in boxes
-       A consistent gap between lines so handwriting is not too big
-       Sample/example of expected word size
-       Training & practice on ascenders/descenders (d/y)
-       Training & practice on letter/number formation
-       Tricks/techniques to aid letter/number formation (e.g. use of iPad app)

Pictures
Pictures will often need to be adapted. In typical worksheets picture details are far too small for a visually impaired child to make out. Here are some suggestions:
-       If the pictures are not essential remove them or reduce them drastically. Four pictures of sports activities at the top of a worksheet do little more than add to the complexity of the page. They may be intended to brighten up the page or make the work more interesting but they are not essential. Instead of four insert one large clear picture or have no picture at all.
-       Where pictures sit alongside text to illustrate the text, they may well be not essential and can be removed, making use of the extra space to enlarge and clarify the text instead.

Font typeface, size & formatting
-       It is generally not a good idea to use italic formatting for emphasis on titles or in body text of a page. Italics are not easy to read particularly for a child with nystagmus.
-       A sans serif font is best; this is an undecorated font with no curly edges or corners; Times New Roman is a classic serif font. Even Primary Infant Sassoon has serifs. Arial does not and is the standard font used by the RNIB.
-       It is important to use the correct font and size of font for the child. If the pupil needs 24 point text remember that different fonts are different sizes. 24 point Primary Infant Sassoon is smaller than 24 point Arial.
©2014 M Sparrow www.visually impairedchildren.com

Saturday, 8 June 2013

Pete Eckert - A Blind Photographer

Pete Eckert - A blind Photographer


I didn’t take photography seriously until I went totally blind. I was trained in sculpture and industrial design. I have always been a visual person and planned to study architecture at Yale, but then I started to lose my sight. A doctor coolly told me I had Retinitis Pigmentosa and left the room without further comment. While listening to Dr. Dean Edell, on a San Francisco TV network, I learned I would go completely blind. A caller asked about RP. I remember the doctor’s words; they hit me like a hammer. “A person with RP gradually looses their sight until they go completely blind.“ There is currently no cure for RP.


It took me two years to recover and figure out what to do. I was a carpenter at the time. I did first-rate work. So I never needed to hunt for a job. None-the-less I worked very little, just enough to pay the rent and for food. My girlfriend, Amy, stood by me during this difficult time. Amy and I were engaged. I worried about the future. At one point I laid out charts graphing the loss of vision over time for her. I told Amy if she left me after we married I wouldn’t hold it against her. She stuck it out. In June we will be married 26 years. Thank you Amy.



Miss Blindsight - a Blind Photographer

Miss Blindsight a blind photographer


When noted photographer and sculptor Alice Wingwall began losing her sight, she became determined to continue making visual art. Now almost completely blind, Wingwall remains a vital visual artist, making lyrical and poignant photo-based works and installations that often express her experience of being without sight.

Wingwall suffers from retinitis pigmentosa, a hereditary degenerative disease of the eye. After all but losing her perception of light a number of years ago, Wingwall discovered that a great deal of her experience of vision happens in her mind. The brain is capable of representing line, color and perspective even without the help of eyesight.

She rarely photographs all alone -- she asks colleagues, including her husband, architect Donlyn Lyndon, to look through her lens and describe what they see. During this collaborative process, she describes her "mind's eye" image and asks if the camera captures this view, using her deep store of memory for other comparison points.

Along with her memory, Wingwall relies to a great degree on her other senses in making her photographs. She may feel the heat of the sun in order to get a sense of the strength and direction of the light source, and she may similarly sense the reflected light radiating from her subject.

Wingwall often uses auto-focus cameras to capture images. In addition, she uses an array of lenses intended to capture her failing sight. Although a 50-millimeter lens renders an image close to what the human eye sees, Wingwall is fond of using wider lenses and panoramic cameras that warp the image and represent her newfound inner vision of the world.

Several of Wingwall's photographs deal with her experience of working as a visual artist without the aid of sight. Many of her works feature architecture -- one of her favorite subjects -- superimposed with images of her guide dog, Slater, or his predecessor, Joseph. These images highlight the ways in which her negotiation of the world around her is now mediated through another being, and the intimate relationship that that establishes between her and her dogs.

She co-directed a film with Wendy Snyder MacNeil titled "Miss BlindSight/The Wingwall Auditions," which won Best Independent Film at the 25th anniversary New England Film and Video Festival.